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THE OTHER WIFE.
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curious air. Romola laughed, and stooped to give him a caressing shake and a kiss, and this action helped the reassurance that Tessa had already gathered from Monna Lisa's address to Romola. For when Naldo had been told about the adventure at the Carnival, and Tessa had asked him who the heavenly lady that had come just when she was wanted, and had vanished so soon, was likely to be—whether she could be the Holy Madonna herself?—he had answered, "Not exactly, my Tessa; only one of the saints," and had not chosen to say more. So that in the dream-like combination of small experience which made up Tessa's thought, Romola had remained confusedly associated with the pictures in the churches, and when she reappeared, the grateful remembrance of her protection was slightly tinctured with religious awe—not deeply, for Tessa's dread was chiefly of ugly and evil beings. It seemed unlikely that good beings would be angry and punish her, as it was the nature of Nofri and the devil to do. And now that Monna Lisa had spoken freely about Lillo's legs and Romola had laughed, Tessa was more at her ease.

"Ninna's in the cradle," she said. "She's pretty too."

Romola went to look at the sleeping Ninna, and Monna Lisa, one of the exceptionally meek deaf, who never expect to be spoken to, returned to her salad.

"Ah! she is waking: she has opened her blue