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THE CONFESSION.
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followed the confession—whether, in the subsequent solitude of the prison, conscience retracted or confirmed the self-taxing words—that anguish seemed to be pressing on her own heart and urging the slow bitter tears. Every vulgar self-ignorant person in Florence was glibly pronouncing on this man's demerits, and he was knowing a depth of sorrow which can only be known to the soul that has loved and sought the most perfect thing, and beholds itself fallen.

She had not then seen—what she saw afterwards—the evidence of the Frate's mental state after he had had thus to lay his mouth in the dust. As the days went by, the reports of new unpublished examinations, eliciting no change of confessions, ceased; Savonarola was left alone in his prison and allowed pen and ink for a while, that, if he liked, he might use his poor bruised and strained right arm to write with. He wrote; but what he wrote was no vindication of his innocence, no protest against the proceedings used towards him: it was a continued colloquy with that divine purity with which he sought complete reunion; it was the outpouring of self-abasement; it was one long cry for inward renovation. No lingering echoes of the old vehement self-assertion, "Look at my work, for it is good, and those who set their faces against it are the children of the devil!" The voice of Sadness tells him, "God placed thee in the midst of the people even as if thou hadst been