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ROMOLA.

EPILOGUE.

On the evening of the twenty-second of May, 1509, five persons, of whose history we have known something, were seated in a handsome upper room opening on to a loggia which, at its right-hand corner, looked all along the Borgo Pinti, and over the city gate towards Fiesole, and the solemn heights beyond it.

At one end of the room was an archway opening into a narrow inner room, hardly more than a recess, where the light fell from above on a small altar covered with fair white linen. Over the altar was a picture, discernible at the distance where the little party sat only as the small full-length portrait of a Dominican Brother. For it was shaded from the light above by overhanging branches and wreaths of flowers, and the fresh tapers below it were unlit. But it seemed that the decoration of the altar and its recess were not complete. For part of the floor was strewn with a confusion of flowers and green boughs, and among them sat a delicate blue-eyed girl of thirteen, tossing her long light-brown hair out of her eyes, as she made selections for the wreaths she