RUDIN
though they were her daily associates, calling some of them queer fellows. As she talked of them, like a rich setting round a worthless stone, their names ranged themselves in a brilliant circlet round the principal name—around Darya Mihailovna.
Rudin listened, smoking a cigarette, and said little. He could speak well and liked speaking; carrying on a conversation was not in his line, though he was also a good listener. All men—if only they had not been intimidated by him to begin with—opened their hearts with confidence in his presence; he followed the thread of another man’s narrative so readily and sympathetically. He had a great deal of good-nature—that special good-nature of which men are full, who are accustomed to feel themselves superior to others. In arguments he seldom allowed his antagonist to express himself fully, he crushed him by his eager, vehement and passionate dialectic.
Darya Mihailovna expressed herself in Russian. She prided herself on her knowledge of her own language, though French words and expressions often escaped her. She inten-
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