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brick; but there is a marked element of sublimity in the rude and irregular piling of the rocky walls of the mountain cottages of Wales, Cumberland, and Scotland. Their size is not one whit diminished, though four or five stones reach at their angles from the ground to the eaves, or though a native rock happen to project conveniently, and to be built into the framework of the wall. On the other hand, after a building has once reached the mark of majestic size, it matters, indeed, comparatively little whether its masonry be large or small, but if it be altogether large, it will sometimes diminish the magnitude for want of a measure; if altogether small, it will suggest ideas of poverty in material, or deficiency in mechanical resource, besides interfering in many cases with the lines of the design, and delicacy of the workmanship. A very unhappy instance of such interference exists in the façade of the church of St Madeleine at Paris, where the columns, being built of very small stones of nearly equal size with visible joints, look as if they were covered with a close trellis. So, then, that masonry will be generally the most magnificent which, without the rise of materials systematically small or large, accommodates itself, naturally and frankly, to the conditions and structure of its work, and displays alike its power of dealing with the vastest masses, and of accomplishing its purpose with the smallest, sometimes heaping rock upon rock with Titanic commandment, and anon binding the dusty remnants and edgy splinters into springing vaults and swelling domes. And if the nobility of this confessed and natural masonry were more commonly felt, we should not lose the dignity of it by smoothing surfaces and fitting joints. The sums which we waste in chiselling and polishing stones which would have been better left as they came from the quarry, would often raise a building a story higher. Only in this there is to be a certain respect for material also: for if we build in marble, or in any