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ROMANTICISM. — PUSHKIN AND POETRY.

as a worthy successor to him. Byron was also his favorite model, whom he, unhappily, strongly resembled in character. His most celebrated poem was "The Demon"; but he wrote many most picturesque and fascinating stanzas and short pieces, which are full of tenderness and melancholy. Though less harmonious and perfect than Pushkin's, his verses give out sometimes a sadder ring. His prose is equal to his poetry, and many of his short sketches, illustrative of Caucasian life, possess a subtle charm.

III.

Lermontof was the last and most extreme of the poets of the romantic period. The Byronic fever, now at its height, was destined soon to die out and disappear. Romanticism sought in history some more solid aliment than despair. A reaction set in ; and writers of elegies and ballads turned their attention to historical dramas and the picturesque side of human life. From Byron they turned back to Shakespeare, the universal Doctor. Pushkin, in his " Boris Godunof," and in the later poems of his mature period, devoted himself to this resurrection of the past ; and his disciples followed in his wake. The rhetoric of the new school, not wholly emancipated from romanticism, was naturally somewhat conven