Ode 4. The Făng Nien.
An ode of thanksgiving for a plentiful year.
The Preface says the piece was used at sacrifices in autumn and winter. Kû Hsî calls it an ode of thanksgiving for a good year,—without any specification of time. He supposes, however, that the thanks were given to the ancient Shăn-năng, 'the father of Agriculture,' Hâu-kî, 'the first Husbandman,' and the spirits presiding over the four quarters of the heavens. To this the imperial editors rightly demur, saying that the blessings which the piece speaks of could come only from God.
Abundant is the year with much millet and much rice; And we have our high granaries, With myriads, and hundreds of thousands, and millions (of measures in them); For spirits and sweet spirits, To present to our forefathers, male and female, And to supply all our ceremonies. The blessings sent down on us are of every kind.
Ode 5. The Yû Kû.
The blind musicians of the court of Kâu; the instruments of music; and their harmony.
The critics agree in holding that this piece was made on occasion of the duke of Kâu's completing his instruments of music for the ancestral temple, and announcing the fact at a grand performance in the temple of king Wăn. It can hardly be regarded as a sacrificial ode.
There are the blind musicians; there are the blind musicians; In the court of (the temple of) Kâu[1].
- ↑ The blind musicians at the court of Kâu were numerous. The blindness of the eyes was supposed to make the ears more acute in hearing, and to be favourable to the powers of the voice. In the Official Book of Kâu, III, i, par. 22, the enumeration of
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