6.↑ Magadha. The legend is in this instance more precise than often falls to the lot of works of this nature. Instead of transferring the scene of action to a locality within the limits of the country of the narrator however, he makes Nâgârg'una to have lived on the borders of Magadha[1]. Lassen, speaking in allusion to the kaitja named after him, mentioned above, says there is no allusion in any authentic account of him to his ever being in this part of the country; this Mongolian tradition however corroborates the local tradition of the kaitja. I have already had occasion to mention how Magadha came to receive its modern name of Behar[2].
The word Magadha is also used to designate a bard; as this meaning rests on no etymological foundation, it is natural to suppose that it arises from the fact of the country being rich in sagas, and that successful bards sprang from its people. The office of the Magadha, also called Vandin, the Speaker of praises, consisted chiefly in singing before the king the deeds of his ancestors. In several places the Magadha is named along with the Sûta[3]. It is quite in accordance with this view that Vjâsa's[4] mother was reckoned a daughter of a king of Magadha.
It is curious that the poetical occupation of bard came to be combined with the sordid occupation of pedlar, or travelling trader, who is also called a Magadha in Manu x. 47, and other places.
7.↑ Krijâvidja. Writings concerning the study of magic.—Jülg.
8.↑ Bede = Bhota, or Bothanga, the Indian name of Tibet. See Schmidt's translation of the "History of the Mongols," by the native historian, sSanang sSetsen.
Before proceeding farther it is necessary to say a few words concerning the history, religions, and customs of Tibet and Mongolia, to illustrate the local colouring the following Tales have received by passing into Mongolia.
Buddhism nowhere took so firm a grasp of the popular mind as in Tibet, where it was established as early as the 7th century by its greatest king, Ssrong-Tsan-Gampo. No where, except in China, was its influence on literature so powerful and so useful, for not only have we
