TALE I.
1.↑ Songs commemorating the deeds of the departed, were sung at their funeral rites, often instead of erecting monuments to them; the fixing their acts in the memory of the living being considered a more lasting memorial than a tablet of stone. Probably the custom originated before the discovery of the art of writing; it seems, however, to have been continued afterwards. Gâthâ was the name given to these songs in praise of ancestry, particularly the ancestors of kings, usually accompanied by the lute. Weber, Indische Studien, i. p. 186, gives specimen translations from such.
2.↑ The elephant is the subject of frequent mention in the very oldest writings of India. He is mentioned as a useful and companionable beast just as at the present day, in the Vêda, and the Manu (e. g. Rig-Vêda, i. 84, 17, "Whoso calls upon Indra in any need concerning his sons, his elephants, his goods and possessions, himself or his people, &c."). In the epic poems, he is constantly mentioned as the ordinary mount of warriors. There is no tradition, however, as to his being first tamed and brought under the service of man, though the art penetrated so little into the islands of Borneo and Sumatra, that the inhabitants used to smear themselves and their plants with poison as the best protection against being devoured by him as a wild beast.
The elephant is distributed over the whole of India from Ceylon to China, wherever there is sufficient growth of foliage. In a domestic state he may live to 120 years, probably nearly double that time when left wild; he is reckoned at his strongest prime in his sixtieth year. His habit is to live in herds.
A beast so intelligent and available as an aid to man, and particularly to a primitive people, naturally took an important place in the mythology of the country. We find this saliently impressed on the architectural decorations of the country; constantly he is to be seen used as a karyatyd; the world is again seen resting on the backs of four huge elephants, or the king of gods carried along by one. It is a curious instance of appreciativeness of the acuteness of the sensibility of the elephant's trunk, that Ganesha, the god who personifies the sense of touch, is represented gifted with such an appendage. It is among the Buddhistic peoples we find him most especially honoured. In Ceylon the white elephant (a variety actually found in the most easterly provinces) is regarded as a divine incarnation; "Ruler of the white
