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SAMUEL JOHNSON
19

full all that is implied in a general statement, he reverses his favourite method, and permits his imagination to expatiate on his material with all the visionary activity of poetry. His review of Soame Jenyns's Free Enquiry into the Nature and Origin of Evil furnishes a splendid instance of this imaginative power, which expands an abstract proposition into all its detailed consequences. Soame Jenyns was a gentleman with a taste for metaphysic, who had offered some conjectures, in the glib optimistic vein of Pope, towards the explanation of failure and suffering. In the course of his essay he touches, with a light hand, on the possible compensations and advantages of pain and poverty. In order to demonstrate that all partial evil is universal good he constructs an airy hierarchy, or graduated scale of imaginary beings, each rank of whom he supposes to derive benefit from the pains of those who inhabit another grade. Johnson's piety and humility, his profound sense of the reality of human suffering and the weakness of human faculty, were outraged by this fantastic philosophy. 'To these speculations,' he says, 'humanity is unequal.' In a passage of relentless satire Soame Jenyns is introduced, for the first time, to the meaning of his own hypothesis. 'He imagines,' says Johnson, 'that as we have not only animals for food, but choose some for our own diversion, the same privilege may be allowed to some beings above us, who may deceive, torment, or destroy us for the ends only of their own pleasure and utility. This he again finds impossible to be conceived, but that impossibility lessens not the probability of the conjecture, which by analogy is so strongly confirmed.

'I cannot resist the temptation of contemplating this analogy, which, I think, he might have carried further,