Page:Sartor resartus; and, On heroes, hero-worship and the heroic in history.djvu/317

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THE HERO AS DIVINITY
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Truth, and all that is great and good in man. The robust homely vigour of the Norse heart attaches one much, in these delineations. Is it not a trait of right honest strength, says Uhland, who has written a fine Essay on Thor, that the Old Norse heart finds its friend in the Thunder-god? That it is not frightened away by his thunder; but finds that Summer-heat, the beautiful noble summer, must and will have thunder withal! The Norse heart loves this Thor and his hammer-bolt; sports with him. Thor is Summer-heat; the god of Peaceable Industry as well as Thunder. He is the Peasant's friend; his true henchman and attendant is Thialfi, Manual Labour. Thor himself engages in all manner of rough manual work, scorns no business for its plebeianism; is ever and anon travelling to the country of the Jötuns, harrying those chaotic Frost-monsters, subduing them, at least straitening and damaging them. There is a great broad humour in some of these things.

Thor, as we saw above, goes to Jötun-land, to seek Hymir's Caldron, that the Gods may brew beer. Hymir the huge Giant enters, his grey beard all full of hoar-frost; splits pillars with the very glance of his eye; Thor, after much rough tumult, snatches the Pot, claps it on his head; the 'handles of it reach down to his heels.' The Norse Skald has a kind of loving sport with Thor. This is the Hymir whose cattle, the critics have discovered, are Icebergs. Huge untutored Brobdingnag genius,—needing only to be tamed-down; into Shakspeares, Dantes, Goethes! It is all gone now, that old Norse work,—Thor the Thunder-god changed into Jack the Giant-killer: but the mind that made it is here yet. How strangely things grow, and die, and do not die! There are twigs of that great world-tree of Norse Belief still curiously traceable. This poor Jack of the Nursery, with his miraculous shoes of swiftness, coat of darkness, sword of sharpness, he is one. Hynde Etin, and still more decisively Red Etin of Ireland, in the Scottish Ballads, these are both derived from Norseland; Etin is evidently a Jötun. Nay, Shakspeare's Hamlet is a twig too of this same world-