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THE TONGAN IDEAL OF BEAUTY
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intimacy would not be out of place. Among the things was a set of stamps for printing the native cloth,, and when I hastened to appropriate these, the younger sister, who has kittenish manners, broke in with "Oh, but I made these; they are not for you, they are for this gentleman!"

Webber did his best to rise to this embryonic flirtation, but it died stillborn in nods and smiles for want of an interpreter. As the conversation .dragged and the ladies showed no consciousness of having discharged their mission, it was suggested that they should face the camera by way of complimentary dismissal. They were nothing loath, but the elder sister stipulated for the loan of a silk handkerchief to hide her neck. As she had the ordinary English neck of not ungraceful outline, and her sister, who had no neck to speak of, showed none of this bashfulness, our curiosity was aroused. It was thus that we discovered the Tongan ideal of female loveliness. The perfect woman must be fat—that is most imperative—her neck must be short (like the younger sister's); she must have no waist, and if Nature has cursed her with that defect she must disguise it with draperies, or submit to be "miscalled" in the streets of Nukualofa ; her bust and hips and thighs must be colossal. The woman who pos-