they haven't stoned him. But they will, sooner or later. It only needs that some one should suggest it."
"That is very likely," said André-Louis, and smiled. "He doesn't show himself much; not in the streets, at least. So that he has not the courage you suppose; nor any kind of courage, as I told him once. He has only insolence."
At parting Le Chapelier again exhorted him to give thought to what he proposed. "Send me word if you change your mind. I am lodged at the Cerf, and I shall be here until the day after to-morrow. If you have ambition, this is your moment."
"I have no ambition, I suppose," said André-Louis, and went his way.
That night at the theatre he had a mischievous impulse to test what Le Chapelier had told him of the state of public feeling in the city. They were playing "The Terrible Captain," in the last act of which the empty cowardice of the bullying braggart Rhodomont is revealed by Scaramouche.
After the laughter which the exposure of the roaring captain invariably produced, it remained for Scaramouche contemptuously to dismiss him in a phrase that varied nightly, according to the inspiration of the moment. This time he chose to give his phrase a political complexion:
"Thus, O thrasonical coward, is your emptiness exposed. Because of your long length and the great sword you carry and the angle at which you cock your hat, people have gone in fear of you, have believed in you, have imagined you to be as terrible and as formidable as you insolently make yourself appear. But at the first touch of true spirit you crumple up, you tremble, you whine pitifully, and the great sword remains in your scabbard. You remind me of the Privileged Orders when confronted by the Third Estate."
It was audacious of him, and he was prepared for anything—a laugh, applause, indignation, or all together. But he was not prepared for what came. And it came so suddenly and spontaneously from the groundlings and the body of
