I don't think so." And then he lied romantically. Surely a man who lived by the sword should have a weakness for the romantic. "You see, my enemy is a swordsman of great strength—the best blade in the province, if not the best blade in France. That is his repute. I thought I would come to Paris to learn something of the art, and then go back and kill him. That, to be frank, is why your notice attracted me. You see, I have not the means to take lessons otherwise. I thought to find work here in the law. But I have failed. There are too many lawyers in Paris as it is, and whilst waiting I have consumed the little money that I had, so that... so that … enfin, your notice seemed to me something to which a special providence had directed me."
M. des Amis gripped him by the shoulders, and looked into his face.
"Is this true, my friend?" he asked.
"Not a word of it," said André-Louis, wrecking his chances on an irresistible impulse to say the unexpected. But he didn't wreck them. M. des Amis burst into laughter; and having laughed his fill, confessed himself charmed by his applicant's fundamental honesty.
"Take off your coat," he said, "and let us see what you can do. Nature, at least, designed you for a swordsman. You are light, active, and supple, with a good length of arm, and you seem intelligent. I may make something of you, teach you enough for my purpose, which is that you should give the elements of the art to new pupils before I take them in hand to finish them. Let us try. Take that mask and foil, and come over here."
He led him to the end of the room, where the bare floor was scored with lines of chalk to guide the beginner in the management of his feet.
At the end of a ten minutes' bout, M. des Amis offered him the situation, and explained it. In addition to imparting the rudiments of the art to beginners, he was to brush out the fencing-room every morning, keep the foils furbished, assist the gentlemen who came for lessons to dress
