Even now she feared to jump to the obvious conclusion—feared lest perhaps the Marquis, though himself wounded, might have dealt his adversary a deadlier wound.
She found her voice at last, and at the same moment signalled to the driver of the calèche to stop.
As it was pulled to a standstill, M. d'Ormesson alighted, and so met madame in the little space between the two carriages.
"Where is M. Moreau?" was the question with which she surprised him.
"Following at his leisure, no doubt, madame," he answered, recovering.
"He is not hurt?"
"Unfortunately it is we who..." M. d'Ormesson was beginning, when from behind him M. de La Tour d'Azyr's voice cut in crisply:
"This interest on your part in M. Moreau, dear Countess..."
He broke off, observing a vague challenge in the air with which she confronted him. But indeed his sentence did not need completing.
There was a vaguely awkward pause. And then she looked at M. d'Ormesson. Her manner changed. She offered what appeared to be an explanation of her concern for M. Moreau.
"Mademoiselle de Kercadiou is with me. The poor child has fainted."
There was more, a deal more, she would have said just then, but for M. d'Ormesson's presence.
Moved by a deep solicitude for Mademoiselle de Kercadiou, de La Tour d'Azyr sprang up despite his wound.
"I am in poor case to render assistance, madame," he said, an apologetic smile on his pale face. "But..."
With the aid of d'Ormesson, and in spite of the latter's protestations, he got down from the calèche, which then moved on a little way, so as to leave the road clear—for another carriage that was approaching from the direction of the Bois.
