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SCARFACE
49

"Well, kid, I'll wise you up a little on underworld stuff, though God knows that ain't the only thing you're dumb in. A really good gunman is usually pretty well known, not only to other crooks but to the cops. Whenever they see him on the street, they stop him and frisk him, to see if he's up to something. He can't go two blocks in any direction without bein' stopped and frisked by somebody—either dicks or harness bulls. So he has to have somebody else—usually a good-lookin' well-dressed girl that nobody would suspect—carry his gat for him and trail him till he's ready to use it. Then she hurries up, slips it to him and strolls slowly down the block. He pulls off his job and runs down the street, slippin' her the gat as he goes past. Immediately she disappears—street car, taxi, or afoot, any way—but without lookin' like she's in a hurry. So if he should git pinched, they can't find anything on him. See?"

"I don't see anything so grand in that."

"You don't, eh? Well, let me tell you, there's nothin' scarcer than a good gun girl. It takes brains and a lot of guts. That girl across there—if that waiter didn't lie to me—is the most famous of all of 'em. She's known as The Gun Girl. I've heard about her for a couple years but I didn't even