them early yesterday morning, from Northborough, and he's only just come. So he hasn't seen Oliver, and doesn't know anything about him; he expected, of course, to find him here."
Stafford turned with a wave of the hand towards Copplestone.
"So did this gentleman," he said. "Mr. Copplestone, this is our stage-manager, Mr. Rothwell. Rothwell, this is Mr. Richard Copplestone, author of the new play that Mr. Oliver's going to produce next month. Mr. Copplestone got a wire from him yesterday, asking him to come here today at one o'clock. He's travelled all night to get here."
"Where was the wire sent from?" asked Rothwell, a sharp-eyed, keen-looking man, who, like Stafford, was obviously interested in the new author's boyish appearance. "And when?"
Copplestone drew some letters and papers from his pocket and selected one. "That's it," he said. "There you are—sent off from Northborough at nine-thirty, yesterday morning—Sunday."
"Well, then he was at Northborough at that time," remarked Rothwell. "Look here, Stafford, we'd better telephone to Northborough, to his hotel. The 'Golden Apple,' wasn't it?"
"No good," replied Stafford, shaking his head. "The 'Golden Apple' isn't on the 'phone—old-fashioned place. We'd better wire."
"Too slow," said Rothwell. "We'll telephone to the theatre there, and ask them to step across and make inquiries. Come on!—let's do it at once."
