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SCARVELL'S CUT
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is enough. You trust to me, guv'nor—I'll find out something. I know these docks—and all that's alongside 'em. I'd do the job myself, now—but it'll be better to have somebody along of me, in case we want a message sending for help or anything of that nature. Come on—and if I don't find out before noon if there's any queer craft gone out o' this since morning—why, then, I ain't what I believe myself to be."

Copplestone, who had considerable faith in the poacher's shrewdness, allowed himself to be led into the lowest part of the town—low in more than one sense of the word. Norcaster itself, as regards its ancient and time-hallowed portions, its church, its castle, its official buildings and highly-respectable houses, stood on the top of a low hill; its docks and wharves and the mean streets which intersected them had been made on a stretch of marshland that lay between the foot of that hill and the river. And down there was the smell of tar and of merchandise, and narrow alleys full of sea-going men and raucous-voiced women, and queer nooks and corners, and ships being laden and ships being stripped of their cargoes and such noise and confusion and inextricable mingling and elbowing that Copplestone thought it was as likely to find a needle in a haystack as to make anything out relating to the quest they were engaged in.

But Zachary Spurge, leading him in and out of the throngs on the wharves, now taking a look into a dock, now inspecting a quay, now stopping to ex-