me, for a week or two, careering through the public prints, in my decapitated state, like Irving's Headless Horseman; ghastly and grim, and longing to be buried, as a politically dead man ought. So much for my figurative self. The real human being, all this time, with his head safely on his shoulders, had brought himself to the comfortable conclusion that everything was for the best; and, making an investment in ink, paper, and steel-pens, had opened his long-disused writing-desk, and was again a literary man.
Now it was, that the lucubrations of my ancient predecessor, Mr. Surveyor Pue, came into play. Rusty through long idleness, some little space was requisite before my intellectual machinery could be brought to work upon the tale, with an effect in any degree satisfactory. Even yet, though my thoughts were ultimately much absorbed in the task, it wears, to my eye, a stern and sombre aspect; too much ungladdened by genial sunshine; too little relieved by the tender and familiar influences which soften almost every scene of nature and real life, and, undoubtedly, should soften every picture of them. This uncaptivating effect is perhaps due to the period of hardly accomplished revolution, and still seething turmoil, in which the story shaped itself. It is no indication, however, of a lack of cheerfulness in the writer's mind; for he was happier, while straying through the gloom of these sunless fantasies, than at any time since he had quitted the Old Manse. Some of the briefer articles, which contribute to make up the volume, have likewise been written since my involuntary withdrawal from the toils and honors of public life, and the remainder are gleaned from annuals and magazines,
