As one gets farther into the center of the island, native life becomes more picturesque, and every station platform offers one more diverting study. There is more color in costume, and the wayside and platform groups are kaleidoscopic with their gay sarongs and kerchiefs. More men are seen wearing the military jacket of rank with the native sarong, and the boat-handled kris thrust in the belt at the back. The little children, who ride astride of their mothers' hips and cling and cuddle so confidingly in the slandang's folds, seem of finer mold, and their deep, dark Hindu eyes tell of a different strain in the Malay blood than we had seen on the coast—these the Javanese, as distinguished from the Sundanese. The clumsy buffalo, or water-ox, is everywhere, plowing the fields, wallowing in mud, or browsing the stubble patch after the gleaners, always with a patient, statuesque, nude little brown boy on his blue-gray back, the fine, polished skins of these small herders glowing in the sun as if they were inanimate bronze figurines.
The train climbs very slowly from Bandong to Kalaidon Pass, and, after toiling with double engines up the steep grades, it rests at a level, and there bursts upon one the view of the plain of Leles—the fairest of all tropical landscapes, a vision of an ideal promised land, and such a dream of beauty that even the leaden blue clouds of a rainy afternoon could not dim its surpassing loveliness. The railway follows a long shelf hewn high on the mountain wall, that encircles an oval plain set with two conical mountains that rise more than two thousand feet above the level of this plain of Leles, itself two thousand feet above
