Page:Science and the Modern World.djvu/75

In the particular instance of the quotation which I have just made, the whole passage and the context in which it is embedded, are permeated through and through by the experimental method, that is to say, by attention to ‘irreducible and stubborn facts’, and by the inductive method of eliciting general laws. Another unsolved problem which has been bequeathed to us by the seventeenth century is the rational justification of this method of Induction. The explicit realisation of the antithesis between the deductive rationalism of the scholastics and the inductive observational methods of the moderns must chiefly be ascribed to Bacon; though, of course, it was implicit in the mind of Galileo and of all the men of science of those times. But Bacon was one of the earliest of the whole group, and also had the most direct apprehension of the full extent of the intellectual revolution which was in progress. Perhaps the man who most completely anticipated both Bacon and the whole modern point of view was the artist Leonardo Da Vinci, who lived almost exactly a century before Bacon. Leonardo also illustrates the theory which I was advancing in my last lecture, that the rise of naturalistic art was an important ingredient in the formation of our scientific mentality. Indeed, Leonardo was more completely a man of science than was Bacon. The practice of naturalistic art is more akin to the practice of physics, chemistry and biology than is the practice of law. We all remember the saying of Bacon’s contemporary, Harvey, the discoverer of the circulation of the blood, that Bacon ‘wrote of science like a Lord Chancellor.’ But at the beginning of the modern period Da Vinci and Bacon stand together as illus-