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Chap. xii]
EXAMPLE OF THE BRAVE
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said, "When he chooses, he strikes like the thunderbolt"; and at another time, "There is not a note of him but draws blood." Scarlatti was another of Handel's ardent admirers, following him all over Italy; afterwards, when speaking of the great master, he would cross himself in token of admiration. True artists never fail generously to recognize each other's greatness. Thus Beethoven's admiration for Cherubini was regal and he ardently hailed the genius of Schubert: "Truly," said he, "in Schubert dwells a divine fire." When Northcote was a mere youth he had such an admiration for Reynolds that, when the great painter was once attending a public meeting down in Devonshire, the boy pushed through the crowd, and got so near Reynolds as to touch the skirt of his coat, "which I did," says Northcote, "with great satisfaction to my mind,"—a true touch of youthful enthusiasm in its admiration of genius.

The example of the brave is an inspiration to the timid, their presence thrilling through every fibre. Hence the miracles of valour so often performed by ordinary men under the leadership of the heroic. The very recollection of the deeds of the valiant stirs men's blood like the sound of a trumpet. Ziska bequeathed his skin to be used as a drum to inspire the valour of the Bohemians. When Scanderbeg, prince of Epirus, was dead, the Turks wished to possess his bones, that each might wear a piece next to his heart, hoping thus to secure some portion of the courage he had displayed while living, and which they had so often experienced in battle. When the gallant Douglas, bearing the heart of Bruce to the Holy Land, saw one of his knights surrounded and sorely pressed