pardon. I have never been ashamed to express my convictions where they happened to differ from those of my friends with whom on most other subjects I should be willing to agree. I shall not, therefore, I think, rightly be thought rash or disputatious if I venture to express difference from those modern political schools with which I feel that I cannot sympathise at all.
So now to the subject. Almost any student who has read, the usual books, if he were asked to mark what was the foremost idea of the three centuries that intervene between the 1 year 1500 and the year 1800, would reply that it was the idea of the balance of power. The balance of power, however it be defined, i.e. whatever the powers were between which it was necessary to maintain such equilibrium, that the weaker should not be crushed by the union of the stronger, is the principle which gives unity to the political plot of modern European history. "Whether the balance is to be maintained against the preponderance of the house of Hapsburg, or the preponderance of France, or the preponderance of Catholic powers as opposed to Protestant ones; this is the key to the plot.
But it is not the existence of the key or the character of the plot, but the existence of the drama of modern European politics, that is the first feature of our sketch: the existence of the powers by whom the drama is played and between whom the balance is maintained. Medieval history may, it is true, be read as a drama, but it is not one in which the plot is obvious; it is rather more a series of dramas which may be combined, like Greek trilogies, but have unities and plots of their own. The history of each great nation is a drama by itself; the blending of the several dramas may be so read as to show how the nations were severally being educated for work on a stage in which they should appear together: in the modern life of Europe they do appear together, and take each the part for which it has been educated in the earlier stage. But that early preparation had been carried on, to a great extent, separately. England and France had been no doubt training one another for centuries, but the balance of power between England and France never came into the great plot
