Page:Seventeen lectures on the study of medieval and modern history and kindred subjects.djvu/65

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III.]
Historic Reviewing.
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to say, with regard to this point, what we do not want than what we want. We do not want sledge-hammer articles, that demolish an unhappy pretender without attempting to tell us what he pretended or attempted to do; or niggling articles, which enumerate the mistakes and misstatements of a book, ignoring the. fact that, with much carelessness of detail, the author has shown a great grasp of knowledge of his subject, skill in grouping and colouring, and power in investing the subject with true and real interest; we do not want reviews in the grand style, which seem to be intended to prove that the writer knows or believes himself to know more of the subject than the author whom he is reviewing. All these sorts of reviews are either injurious to knowledge or useful only by way of advertisement. I need scarcely point out to you that the reviewer, as a reviewer, is a man of many books and many subjects, the author is generally a man of one book or one subject. Ten to one the most indifferent author knows more of his book (I speak of bona fide authors, not of bookmakers) than his reviewer does. In fairness he has a right to demand that his critic should have tried to put himself in his place and looked at the subject from his point; but how very seldom does he find himself so treated. What we want, I take it, in historical reviewing is that the critic should first give a fair account of the work; that he should exhibit, in doing this, just so much superior knowledge as will justify his claim to sit in judgment upon it, and not put in a word for mere display; that he should discuss the subject-matter judicially and as a whole, not confining himself to the portions in which he is presumedly better informed, but gauging the work by the author's standard as well as his own; that he should not dogmatise where the points of difference are matters of opinion—how many a sore heart would have been spared if the critic would have said, 'Here we differ,' instead of saying, 'This is a great mistake;'—and finally that, in recounting blemishes, he should not confuse structural with incidental error. I do not recommend German reviews as models for English ones; too often they seem to me to be written by rival competitors in the same field with the author; but as a