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SHAKESPEARE AND MUSIC

'concerted' music, and the players seem to be performing such a quaint old piece as 'The Lord of Salisbury his Pavin,' by Gibbons, in Parthenia, the last 'strain' of which has just such a 'dying fall' as is mentioned in line 4. [See the remarks on the passage from Lucrece in Section I. on the technical meaning of 'strain.']

Twelfth Night 1/1.

Duke. If music be the food of love, play on;
Give me excess of it, that, surfeiting,
The appetite may sicken, and so die.—
That strain again! it had a dying fall:
O! it came o'er my ear like the sweet sound
That breathes upon a bank of violets,
Stealing and giving odour.—Enough! no more:
'Tis not so sweet now, as it was before.

Brutus' musical establishment is on a smaller scale than the Duke's. He keeps a 'good boy,' who can sing to his own accompaniment on the lute, and is such a willing servant as to perform when almost overcome by sleep.

Julius Cæsar 4/3, 256. Brutus and his servant Lucius.

Bru. Bear with me, good boy, I am much forgetful.
Canst thou hold up thy heavy eyes awhile,
And touch thy instrument a strain or two?
Luc. Ay, my lord, an't please you.