(1611) by Byrde, Bull, and Gibbons. They are always in triple time, and consist of either two or three strains of an even number of bars.
Sir Toby seems to connect a Galliard with somewhat violent 'capers.' He remarks on the 'excellent constitution' of Sir Andrew's leg, 'it was formed under the star of a galliard.' Sir Andrew complacently replies, 'Ay, 'tis strong,' upon which Sir Toby proposes to the foolish knight to give an example of his powers; 'Let me see thee caper. Ha! higher.' This capering or 'sault majeur' was also a feature of the 'high lavolt' [La Volta] mentioned in Troilus 44, 84, concerning which Sir John Davies says—
'An anapaest is all their music's song,
Whose first two feet are short, and third is long.'
Also he calls the lavolte ' a lofty jumping.' Morley (1597) speaks of the Volte, and says it is characterised by 'rising and leaping,' and is of the same 'measure' as a coranto. These statements do not all agree with the 'Orchésographie.'
4. Jigg [later Gigue, and Jig]. The name comes from Giga (Geige), a sort of fiddle in use during the 12th and 13th centuries. The oldest jigs are Scottish,
