Page:Shakespeare and Music.djvu/200

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186

APPENDIX

Here is a Division for the Viol, such as the player would produce extempore, with the above Ground before him.

Division No. 1.

$\new Staff \with { instrumentName = \markup { \column { "Viol-da-" "Gamba" } } } \relative g { \clef bass \time 2/2 \override Score.BarNumber #'break-visibility = #'#(#f #f #f) g8 a b g fis d' a c | b g' d c d b a g | fis a d4 e,8 d' cis4 | d d, d'2 | c,8 e' c d e e, fis16[ g a fis] | g8 d' b c d b, c16[ d e c] | d8 a' fis b a c, d d, | g1 \bar "||" }$

Division No. 3 (more elaborate).

$\new Staff \relative g, { \key g \major \clef bass \time 2/2 \override Score.TimeSignature #'stencil = ##f \override Score.BarNumber #'break-visibility = #'#(#f #f #f) g8[ d''16 c] b8 fis,16 e d8[ a''16 g] fis8 e16 fis | \clef treble g8[ d''16 c] b8 a16 b g8[ d16 c] b8 a16 g | \clef bass fis8[ a'16 g] fis8 g,16 fis e8[ g'16 fis] e8 fis,16 e | d8[ fis'16 e] d8 a16 g fis8[ d16 e] fis g a b | \clef treble c8[ g'16 e] g8 f16 g e8 \clef bass e,16[ g] fis g a fis | g8[ d'16 b] d8 c16 d b8 a,16[ b] c d e c | d8[ d'16 a] b8 g16 b a8[ d,16 g] fis8 d16 fis | g8[ g,16 e'] d c b a <g d' g>2 \bar "||" }$

3. Example of Sol-Fa, 16th and 17th centuries, see p. 35. Lear 1/2, 187.

$\new Staff \relative c' { \cadenzaOn c2 d e f^"×" g a b^"×" c1 \bar "||" \clef treble \key f \major f,2 g a b^"×" c d e^"×" f \bar "||" } \addlyrics { Fa sol la fa sol la MI fa fa sol la fa sol la MI fa }$

etc.

The augmented fourths formed by the notes fa and mi, marked with ×, are the mi contra fa, which diabolus est, or 'is the divider,' see p. 36.