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SHAKESPEARE AND MUSIC

Aut. I can bear my part; you must know, 'tis my occupation: have at it with you.

[They sing 'Get you hence,' in three parts.]

Clo. We'll have the song out anon by ourselves.

L. 328.

Servant. Master, there is three carters, three shepherds, three neat herds, three swine herds, that have made themselves all men of hair: they call themselves Saltiers; and they have a dance, which the wenches say is a gallimaufry of gambols, because they are not in't;

L. 609.

Aut. My clown (who wants but something to be a reasonable man) grew so in love with the wenches' song, that he would not stir his pettitoes, till he had both tune and words.

The tabor and pipe, in the servant's first speech, were common popular instruments. The tabor, of course, was a small drum, which was used as accompaniment to the pipe, a small whistle with three holes, but with a compass of 18 notes. (See Frontispiece.) In its curiously disproportionate compass, it may be compared to the modern 'Picco' pipe of the music shops. Mersennus (middle of 17th century) mentions an Englishman, John Price, who was an