leading figure. His is indeed far the more complex character and I will speak of it first.
Macbeth, the cousin of a King mild, just, and beloved, but now too old to lead his army, is introduced to us as a general of extraordinary prowess, who has covered himself with glory in putting down a rebellion and repelling the invasion of a foreign army. In these conflicts he showed great personal courage, a quality which he continues to display throughout the drama in regard to all plain dangers. It is difficult to be sure of his customary demeanour, for in the play we see him either in what appears to be an exceptional relation to his wife, or else in the throes of remorse and desperation; but from his behaviour during his journey home after the war, from his later, conversations with Lady Macbeth, and from his language to the murderers of Banquo and to others, we imagine him as a great warrior, somewhat masterful, rough, and abrupt, a man to inspire some fear and much admiration. He was thought ‘honest,’ or honourable; he was trusted, apparently, by everyone; Macduff, a man of the highest integrity, ‘loved him well.’ And there was, in fact, much good in him. We have no warrant, I think, for describing him, with many writers, as of a ‘noble’ nature, like Hamlet or Othello;[1] but he had a keen sense both of honour and of the worth of a good name. The phrase, again, ‘too much of the milk of human kindness,’ is applied to him in impatience by his wife, who did not fully understand him; but certainly he was far from devoid of humanity and pity.
At the same time he was exceedingly ambitious. He must have been so by temper. The tendency must have ⟨been⟩ greatly strengthened by his marriage. ⟨When⟩ we see him, it has been further
- ↑ The word is used of him (I. ii. 67), but not in a way that decides this question or even bears on it.
