the former was a sort of pier used by the Rock-boat of Heaven. A spit of land two miles long and 190 feet broad near Miyadzu in Tango is now called by this name.[1]
Ame, or the firmament, where the Gods live, is to be distinguished from Oho-sora, the Great Void, which is the space between heaven and earth.
Izanagi's ablutions (harahi)[2] represent a wide-spread rite. They remind us of Juno's lustration by Iris after a visit to Hades, and of Dante's immersion in Lethe when he had completed his ascent through Purgatory and was preparing for admission to the circles of Paradise. Alcestis, after her rescue by Herakles from Thanatos, had to be purified, and was not allowed to speak for three days. We have in the Japanese myth the counterpart of a custom described by Chinese travellers to Japan centuries before the Kojiki and Nihongi were written. It was then, we are informed, the practice, when the funeral was over, for the whole family of the deceased to go into the water and wash. Lustration is a wide-world practice,[3] and the myth was clearly suggested by it, not vice versâ.
Izanagi's career having come to an end, he built himself an abode of gloom in the island of Ahaji, where he dwelt in silence and concealment. Another account says that he ascended to Heaven, where he dwelt in the smaller Palace of the Sun.
It will be observed that Izanagi was not immortal, and that he did not go to Yomi when he died.
Susa no wo.—The mythical narrative now turns to the doings of the Sun-Goddess and her brother Susa no wo (the rainstorm personified).
Susa no wo, before proceeding to take up his charge as Ruler of the Nether Region, ascended to Heaven to take leave of his elder sister, the Sun-Goddess. By reason of
