that she entered the Rock-cave of Heaven and left the world to darkness.
The piebald colt of Heaven may be compared to Prisni, the speckled cow of Indian myth, which is explained as a personification of the variegated appearance of the starry heavens.
The retirement of the Sun-Goddess to the Rock-cave of Heaven produced great consternation among the heavenly deities. They met on the dry bed of the River of Heaven and took counsel how they should entice her from her seclusion. By the advice of Omohi-kane no Mikoto (the Thought-combiner or Counsellor deity) the long-singing birds of the Eternal Land (cocks)[1] were made to utter their prolonged cry before the door of the cave. Ame no Koyane no Mikoto, ancestor of the Nakatomi and Futo-dama no Mikoto, ancestor of the Imbe, dug up by the roots a five-hundred branched true Sakaki tree of Heaven and hung on its higher branches strings of jewels, on its middle branches a mirror, and on its lower branches pieces of cloth. Then they recited their liturgy in her honour. Moreover, Ame no Uzume (the Dread Female of Heaven) arrayed herself in a fantastic manner, kindled a fire and standing on a tub which resounded when she stamped upon it, performed a (not very decent) mimic dance and gave forth an inspired utterance. The Plain of High Heaven shook, and the eight hundred myriad deities laughed together. The Sun-Goddess wondered how Ame no Uzume and the other gods could be so jolly while the world was wrapped in complete darkness, and peeped out from the half-opened door of the cave. She was at once seized by Ta-jikara no wo (Hand-strength-male) and prevented by main force from re-entering, to the great joy of all the deities.
Susa no wo was then tried by a council of Gods, who mulcted him in a fine of a thousand tables of purification
- ↑ Represented at Ise by dancers called tonako (bird-cry).
