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FIELDHEAD.
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trees behind were fine, bold, and spreading; the cedar on the lawn in front was grand, and the granite urns on the garden wall, the fretted arch of the gateway, were, for an artist, as the very desire of the eye.

One mild May evening, Caroline passing near about moon-rise, and feeling, though weary, unwilling yet to go home, where there was only the bed of thorns and the night of grief to anticipate, sat down on the mossy ground near the gate, and gazed through towards cedar and mansion. It was a still night—calm, dewy, cloudless: the gables, turned to the west, reflected the clear amber of the horizon they faced; the oaks behind were black; the cedar was blacker; under its dense, raven boughs a glimpse of sky opened gravely blue: it was full of the moon, which looked solemnly and mildly down on Caroline from beneath that sombre canopy.

She felt this night and prospect mournfully lovely. She wished she could be happy: she wished she could know inward peace: she wondered Providence had no pity on her, and would not help or console her. Recollections of happy trystes of lovers, commemorated in old ballads, returned on her mind: she thought such tryste in such scene would be blissful.