Page:Sidnay McCall--The dragon painter2.djvu/102

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THE DRAGON PAINTER

to earth he found himself companionless. He threw himself down, a miserable heap, clasping his knees upon the hill. No longer was the rosy dawn for him. He found no timid beauty in the encroaching day. His sullen look fastened itself upon the amado beneath the plum tree. The panels were now tightly closed. The house itself, soundless and gray in the fast brightening space, mocked him with impassivity.

A little later, when the neighborhood reverberated to the slamming of amado and the sharp rattle of paper dusters against taut shoji panes; when fragrant faggot smoke went up from every cottage, and the street cries of itinerant venders signalled domestic buying for the day, Mata discovered the wild man in the garden, and roused her sleeping master with the news. She went, too, to Umè's room, and was reassured to see the girl apparently in slumber within a neat bed, the andon burning temperately in its corner, and the whole place eloquent of innocence and peace.

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