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SISTER CARRIE
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Hurstwood's friends entered, and not long after eleven, the theatres being out, some actors began to drop in—among them some notabilities.

Then began one of those pointless social conversations so common in American resorts where the would-be gilded attempt to rub off gilt from those who have it in abundance. If Hurstwood had one leaning, it was toward notabilities. He considered that, if anywhere, he belonged among them. He was too proud to toady, too keen not to strictly observe the plane he occupied when there were those present who did not appreciate him, but, in situations like the present, where he could shine as a gentleman and be received without equivocation as a friend and equal among men of known ability, he was most delighted. It was on such occasions, if ever, that he would "take something." When the social flavour was strong enough he would even unbend to the extent of drinking glass for glass with his associates, punctiliously observing his turn to pay as if he were an outsider like the others. If he ever approached intoxication—or rather that ruddy warmth and comfortableness which precedes the more sloven state—it was when individuals such as these were gathered about him, when he was one of a circle of chatting celebrities. To-night, disturbed as was his state, he was rather relieved to find company, and now that notabilities were gathered, he laid aside his troubles for the nonce, and joined in right heartily.

It was not long before the imbibing began to tell. Stories began to crop up—those ever-enduring, droll stories which form the major portion of the conversation among American men under such circumstances.

Twelve o'clock arrived, the hour for closing, and with it the company took leave. Hurstwood shook hands with them most cordially. He was very roseate physically. He had arrived at that state where his mind, though clear,