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SISTER CARRIE

elegant green leather purse set with her initials, a fancy handkerchief, exceedingly rich in design, and the like. Carrie felt that she needed more and better clothes to compare with this woman, and that any one looking at the two would pick Mrs. Vance for her raiment alone. It was a trying, though rather unjust thought, for Carrie had now developed an equally pleasing figure, and had grown in comeliness until she was a thoroughly attractive type of her colour of beauty. There was some difference in the clothing of the two, both of quality and age, but this difference was not especially noticeable. It served, however, to augment Carrie's dissatisfaction with her state.

The walk down Broadway, then as now, was one of the remarkable features of the city. There gathered, before the matinée and afterwards, not only all the pretty women who love a showy parade, but the men who love to gaze upon and admire them. It was a very imposing procession of pretty faces and fine clothes. Women appeared in their very best hats, shoes, and gloves, and walked arm in arm on their way to the fine shops or theatres strung along from Fourteenth to Thirty-fourth streets. Equally the men paraded with the very latest they could afford. A tailor might have secured hints on suit measurements, a shoemaker on proper lasts and colours, a hatter on hats. It was literally true that if a lover of fine clothes secured a new suit, it was sure to have its first airing on Broadway. So true and well understood was this fact, that several years later a popular song, detailing this and other facts concerning the afternoon parade on matinée days, and entitled "What Right Has He on Broadway?" was published, and had quite a vogue about the music-halls of the city.

In all her stay in the city, Carrie had never heard of