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SISTER CARRIE
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had always stood in awe. He seemed to have some invisible strength in reserve.

One day, after her first week's rehearsal, what she expected came openly to the surface.

"We'll have to be rather saving," he said, laying down some meat he had purchased. "You won't get any money for a week or so yet."

"No," said Carrie, who was stirring a pan at the stove.

"I've only got the rent and thirteen dollars more," he added.

"That's it," she said to herself. "I'm to use my money now."

Instantly she remembered that she had hoped to buy a few things for herself. She needed clothes. Her hat was not nice.

"What will twelve dollars do towards keeping up this flat?" she thought.

"I can't do it. Why doesn't he get something to do?"

The important night of the first real performance came. She did not suggest to Hurstwood that he come and see. He did not think of going. It would only be money wasted. She had such a small part.

The advertisements were already in the papers; the posters upon the bill-boards. The leading lady and many members were cited. Carrie was nothing.

As in Chicago, she was seized with stage fright as the very first entrance of the ballet approached, but later she recovered. The apparent and painful insignificance of the part took fear away from her. She felt that she was so obscure it did not matter. Fortunately, she did not have to wear tights. A group of twelve were assigned pretty golden-hued skirts which came only to a line about an inch above the knee. Carrie happened to be one of the twelve.