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SISTER CARRIE

were already blazing brightly. Crowds were hastening to dine. Through bright windows, at every corner, might be seen gay companies in luxuriant restaurants. There were coaches and crowded cable cars.

In his weary and hungry state, he should never have come here. The contrast was too sharp. Even he was recalled keenly to better things.

"What's the use?" he thought. "It's all up with me. I'll quit this."

People turned to look after him, so uncouth was his shambling figure. Several officers followed him with their eyes, to see that he did not beg of anybody.

Once he paused in an aimless, incoherent sort of way and looked through the windows of an imposing restaurant, before which blazed a fire sign, and through the large, plate windows of which could be seen the red and gold decorations, the palms, the white napery, and shining glassware, and, above all, the comfortable crowd. Weak as his mind had become, his hunger was sharp enough to show the importance of this. He stopped stock still, his frayed trousers soaking in the slush, and peered foolishly in.

"Eat," he mumbled. "That's right, eat. Nobody else wants any."

Then his voice dropped even lower, and his mind half lost the fancy it had.

"It's mighty cold," he said. "Awful cold."

At Broadway and Thirty-ninth Street was blazing, in incandescent fire, Carrie's name. "Carrie Madenda," it read, "and the Casino Company." All the wet, snowy sidewalk was bright with this radiated fire. It was so bright that it attracted Hurstwood's gaze. He looked up, and then at a large, gilt-framed poster-board, on which was a fine lithograph of Carrie, life-size.