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40
Sixes and Sevens

errand to the Doctor Wiley experimental station. The ballet was now in the midst of a musical vagary, and danced upon the stage programmed as Bolivian peasants, clothed in some portions of its anatomy as Norwegian fisher maidens, in others as ladies-in-waiting of Marie Antoinette, historically denuded in other portions so as to represent sea nymphs, and presenting the tout ensemble of a social club of Central Park West housemaids at a fish fry.

“Been in the city long?” inquired the New Yorker, getting ready the exact tip against the waiter’s coming with large change from the bill.

“Me?” said the man from Topaz City. “Four days. Never in Topaz City, was you?”

“I!” said the New Yorker. “I was never farther west than Eighth Avenue. I had a brother who died on Ninth, but I met the cortege at Eighth. There was a bunch of violets on the hearse, and the undertaker mentioned the incident to avoid mistake. I cannot say that I am familiar with the West.”

“Topaz City,” said the man who occupied four chairs, “is one of the finest towns in the world.”

“I presume that you have seen the sights of the metropolis,” said the New Yorker. “Four days is not a sufficient length of time in which to view even our most salient points of interest, but one can possibly form a general impression. Our architectural supremacy is what generally strikes visitors to our