Sometimes when she came upon it in an orgy of cleaning she would pass her rough hands over its soft folds and by that magic process Mrs. Pervus DeJong vanished in a pouf and in her place was the girl Selina Peake perched a-tiptoe on a soap-box in Adam Ooms’s hall while all High Prairie, open-mouthed, looked on as the impecunious Pervus DeJong threw ten hard-earned dollars at her feet. In thrifty moments she had often thought of cutting the wine-red cashmere into rag-rug strips; of dyeing it a sedate brown or black and remodelling it for a much-needed best dress; of fashioning it into shirts for Dirk. But she never did.
It would be gratifying to be able to record that in these eight or nine years Selina had been able to work wonders on the DeJong farm; that the house glittered, the crops thrived richly, the barn housed sleek cattle. But it could not be truthfully said. True, she had achieved some changes, but at the cost of terrific effort. A less indomitable woman would have sunk into apathy years before. The house had a coat of paint—lead-gray, because it was cheapest. There were two horses—the second a broken-down old mare, blind in one eye, that they had picked up for five dollars after it had been turned out to pasture for future sale as horse-carcass. Piet Pon, the mare’s owner who drove a milk route, had hoped to get three dollars for the animal, dead. A month of rest and pasturage restored the mare to usefulness. Selina had made the bargain, and Pervus had scolded her roundly for it. Now he drove the mare to market, saw that she pulled more
