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SO BIG
51

long-sleeved, high-necked nightgown. Just before she blew out the lamp her last glimpse was of the black drum stationed like a patient eunuch in the corner; and she could smile at that; even giggle a little, what with weariness, excitement, and a general feeling of being awake in a dream. But once in the vast bed she lay there utterly lost in the waves of terror and loneliness that envelop one at night in a strange house amongst strange people. She lay there, tensed and tight, her toes curled with nervousness, her spine hunched with it, her leg muscles taut. She peeked over the edge of the covers looking a good deal like a frightened brownie, if one could have seen her; her eyes very wide, the pupils turned well toward the corners with the look of listening and distrust. The sharp November air cut in from the fields that were fertilized with dried blood. She shivered, and wrinkled up her lovely little nose and seemed to sniff this loathsome taint in the air. She listened to the noises that came from belowstairs; voices gruff, unaccustomed; shrill, high. These ceased and gave place to others less accustomed to her city-bred ears; a dog’s bark and an answering one; a far-off train whistle; the dull thud of hoofs stamping on the barn floor; the wind in the bare tree branches outside the window.

Her watch—a gift from Simeon Peake on her eighteenth birthday—with the gold case all beautifully engraved with a likeness of a gate, and a church, and a waterfall and a bird, linked together with spirals and flourishes of the most graceful description, was tick-