divine replied to Gilligan's question. "Perhaps it is to light their churches with."
The singing drew nearer and nearer; at last, crouching among a clump of trees beside the road, they saw the shabby church with its canting travesty of a spire. Within it was a soft glow of kerosene serving only to make the darkness and the heat thicker, making thicker the imminence of sex after harsh labor along the mooned land; and from it welled the crooning submerged passion of the dark race. It was nothing, it was everything; then it swelled to an ecstasy, taking the white man's words as readily as it took his remote God and made a personal Father of Him.
Feed Thy Sheep, O Jesus. All the longing of mankind for a Oneness with Something, somewhere. Feed Thy Sheep, O Jesus. . . . The rector and Gilligan stood side by side in the dusty road. The road went on under the moon, vaguely dissolving without perspective. Worn-out red-gutted fields were now alternate splashes of soft black and silver; trees had each a silver nimbus, save those moonward from them, which were sharp as bronze.
Feed Thy Sheep, O Jesus. The voices rose full and soft. There was no organ; no organ was needed as above the harmonic passion of bass and baritone soared a clear soprano of women's voices like a flight of gold and heavenly birds. They stood together in the dust, the rector in his shapeless black, and Gilligan in his new hard serge, listening, seeing the shabby church become beautiful with mellow longing, passionate and sad. Then the singing died, fading away along the mooned land inevitable with to-morrow and sweat, with sex and death and damnation; and they turned townward under the moon, feeling dust in their shoes.
the end
