he had been unable to believe in her seriousness, but when he had realized it he knew the depth and the breadth of her. And she was unshakabie. She lay in the hammock, locking at the sky, while he sat beside her with all his tense, old-fashioned chivalrous temperament contending with her newness, and finding itself baffled. For she had a rightness of view. He could put up against her the figures of sentiment and convention, and she put out a hand and sent them flying.
Never had he suspected such frankness or such intelligent honesty. Yes, she supposed that she loved him. Had she not given him proof of that? She had given herself. And did he expect her to give him everything that she cherished, to strip herself of her career, the work that she loved, all her passionate prejudices and propensities? Was that love? Man's love? While he and his work went on unchanged! And pots and pans, and domestics, and children! She made him realize that she disliked children and childishness, that she was not temperamentally made to be a mother. Noise, and napkins, and little raw egotisms, and disorder, and the eternal struggle of the mature mind with the little savage selfishnesses. "A woman who loves her craft has to choose, Kit. I have chosen. Intelligent egotism makes life intelligible. Children would drive me mad."
His stricken face hurt her, and she tried to soothe him.
"Don't you understand compromise? I have compromised in order to love you. I give all that I can honestly give, and you cry out for more. Do you wish to drag every shred of me through the mangle of marriage? Is not there something better for two workers such as we are?"
"But I cannot take it," was his refrain; "not in that way. It's impossible."
"An intrigue?"
"Yes."
She broke out scornfully.
"Ah, you are afraid of the good women, the good married women who are more cruel than any beasts shut up in cages. They have no mercy on the animal outside the cage, the animal who refuses to come in."
"Isn't there some reason for it?" he argued.
"How?"
