"Not often."
"I've been," said Kit. "If you want to be alone—when the organ is playing."
Roland made a slow movement of the head.
"I know. Service; a full choir, half a dozen priests, three lonely women, a verger and a forest of empty chairs. And the organ notes quaking, and a boy's voice soaring up to the grey roof like a bird. Perhaps a few spectators cee at the west end of the nave. It always makes me fee queer."
Kit was watching him with solemn eyes.
"Queer? How?"
"Oh,—as though I had fallen suddenly through a trapdoor into another world. Not our world. Men saw the sunset through trees in those days. I suppose they looked at the stars. Do you ever look at the stars?"
His eyes were on Sorrell.
"No,—hardly ever. Never thought about it."
"Quite so."
"Too busy or too tired, and under a roof. I used to look at them a lot in the trenches."
"Ah,—you were there too," said Roland, lighting his ipe.
And when he had lit it he got up, stood a moment, smiled at the Sorrells, and tilted his head slightly in the direction of the moat where the water was dappled with gold.
"Think I'll wander down there. They still keep the swans—I suppose?"
"And there are two peacocks, sir."
"In the bishop's garden. I remember. So—like us—they survived the war. Good night."
The Sorrells watched him go down the path to the water, holding himself very square and straight, and yet moving with an air of lightness.
"I like that man," said the boy, "he's—he's"
Kit searched for some particular word.
"How do you call it, pater, when you feel right up close against someone you've never met before?"
"Sympathy?"
"No, not quite that. I can't get it."
"I think I know what you mean," said his father.
