Ashtamūrti
and Ekā.
Dasa-
Rudras.Standing images of Siva generally belong to the class known as Ashtamūrtis or Ēkādasa-Rudras. The former have generally four hands and three eyes and wear the jatāmakuta. The fore-arms exhibit the protecting and the boon-giving postures ; while the hind arms hold the tanka and the antelope. The Ēkādasa-Rudras are almost similar to Rudramūrti in form, with the black scar on the neck, the crescent on the head and the scarf of tiger-skin. In place of the dhakkā in the right upper hand is seen the axe (parasu). A form of Siva combining five Panchadēha
Mūrtibodies in one is known as Panchadēhamūrti. Though not found in any of the temples examined so far, it is often mentioned in the Tanjore inscriptions as having been installed in the Rājarājēsvara (i.e., the modern BrihadīSvara) temple by the Chōla king Rājarāja or his subordinates, in the first quarter of the eleventh century A.D. The Panchadēhamūrti consisted of five images, four of which stood in the four directions and the fifth was placed in the middle, its head being higher in level than the others. [1] One of these was called Aghōra. The linga with five faces called Panchamukha-linga is only the five-bodied Panchadēhamūrti translated in terms of the symbolical phallus. [2] It has the heads of four Siva-images figured on Mahā-
Kailāsa
or Mahā-
Sadāsiva.its four sides. The illustration from Tiruvānaikkāval (fig. 47) does not show any face at the top. The Skānda-Purāna mentions a seated form of Siva called Mahākailāsa or Mahā-Sadāsiva which is represented with twenty-five faces and fifty hands, wears a garland of skulls and is clothed in tiger's skin.
V
Natarāja
or Sabhāpati. Images answering to the two names Natarāja and Sabhapati, in the Hindu Pantheon, are identical in design. Natarāja (the prince of dancers) is the well-known dancing form of god Siva. It has four arms and a body besmeared with ashes. The back arm on the right side holds the kettledrum (udukkai, as it is called in Tamil) while the other presents the raised palm of protection (abhaya). Of the pair on the left, the upper holds a fire-pot and the lower is bent round
- ↑ Jaina images called Chaturmukha or Chaumnkhi are often made of a single stone. The four identical images on the four sides are surmounted by a series of umbrellas common to all, which appear like the spire of a temple (see Epigraphia Indica, Vol. X, p. 115). The Buddhists also seem to have possessed such figures ; see Nagendra Natha Vasu's Mayūrabhanja p. 41.
- ↑ A linga placed at the entrance into an old Siva temple at Raichūr (Hyderabad State) shows a combination of five lingas, four on the sides and one at the top.
