not only as a human but a humanitarian hero; indeed as the first hero of humanism. He has been described as a sort of morning star of the Renaissance. And in comparison with all these things, his ascetical theology can be ignored or dismissed as a contemporary accident, which was fortunately not a fatal accident. His religion can be regarded as a superstition, but an inevitable superstition, from which not even genius could wholly free itself; in the consideration of which it would be unjust to condemn St. Francis for his self-denial or unduly chide him for his chastity. It is quite true that even from so detached a standpoint his stature would still appear heroic. There would still be a great deal to be said about the man who tried to end the Crusades by talking to the Saracens or who interceded with the Emperor for the birds. The writer might describe in a purely historical spirit the whole of that great Franciscan inspiration that was felt in the painting of Giotto, in the poetry of Dante, in the miracle plays that made possible the modern drama, and in so many other things that are already appreciated by the modern culture. He may try to do it, as others have done, almost without raising any religious question at all. In short, he may try to tell the story of a saint without God; which is like being told to write the life of Nansen and forbidden to mention the North Pole.
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St. Francis of Assisi
