paint brush and paint to the knight, who proceeds to draw a face on the paper. This at a sign changes into a laughing, roguish character. The knight then plunges his arms through the eyes of the figure and draws therefrom bottles of wine, which he hands to an attendant who surreptitiously drinks their contents. Making an incision where the mouth is drawn, our knight takes therefrom shawls, scarves and wraps of the finest texture. Taking the rings from the attendant, he turns them about to show there is nothing further therein, he hands them back and again draws this time four magnificent ladies' costumes, which he hands to his helper. He now takes the rings from the two pages and rolling them off the scene stands the boys in center of the hall, turning them round he produces two other pages from them, then throwing the costumes to the four, who donning them are changed into four ladies who go through a graceful dance. Taking off the dresses, they change again to pages; the four become two and vanish from view. The knight takes a ring, ties four ropes to it, and suspending it in mid-air, calls a page, who sits under it. Then from the ring there gradually ascends a fairy form, who at a sign again descends. The knight next causes a pedestal to appear, standing thereon he holds aloft one of the rings, which gradually lowers itself on the knight, who disappears; appearing from another side, he takes the two rings, placing them edge to edge they form a cycle, which the knight mounts and rides away.
1035–1039. In the Bogie Man's Cave. Length, 350 feet. Price $42.00.
We are introduced to the interior of a vast cave and the Bogie Man, who commences to prepare a meal, first blowing his fire with large bellows. Then preparing an enormous frying pan, he places therein all kinds of vegetables, flour, etc., finishing up with a bucket of water. This is not enough to satisfy his bogieship, so he calls for a captive boy, who appears, and on being told he is to become food for the bogie begs hard for his life. All in vain, the bogie seizes him, carries him to the kneading board and proceeds to chop him into mincemeat, which he adds to the contents of the frying pan, stirring the whole with a ladle, tasting to learn its progress. While it is cooking he takes a look, draws his chair to the fire and commences to read, after a while he becomes drowsy and falls asleep. Then a peculiar thing happens. From the smoke of the frying pan a fairy emerges, waving her wand. There appear, one after the other, four gnomes, then following them four white rabbits, followed by the reincarnated body of the captive boy. At the order of the fairy the gnomes take the pan from off the fire, then proceeding to the sleeping bogie they seize him roughly and wake him; then, despite his struggles, they place him on the fire and all with the fairy vanish, leaving him there. Escaping from his uncomfortable position and writhing with pain, he proceeds to vow vengeance, and pulling on his seven-league boots he tries to do as he used to do, but finds his power has gone and the boots are mysteriously withdrawn from his feet. Turning to discover the reason, he sees the fairy and his victim standing before him, and falls lifeless at their feet.
1040–1043. The King and the Jester. Length, 321 feet. Price $38.88.
The scene opens with the jester being spurned by the king, who has evidently partaken of food which disagrees with him, and instead of being amused by the frolics of his jester he casts him away. All the wiles of the jester fail
