let us hope, no tearful whipster, but, as becomes this not uncheerful and most active age in which we figure, the child of happy hours.
No art, it may be said, was ever perfect, and not many noble, that has not been mirthfully conceived. And no man, it may be added, was ever anything but a wet blanket and a cross to his companions who boasted not a copious spirit of enjoyment. Whether as man or artist, let the youth make haste to Fontainebleau, and once there let him address himself to the spirit of the place; he will learn more from exercise than from studies, although both are necessary; and if he can get into his heart the gaiety and inspiration of the woods he will have gone far to undo the evil of his sketches. A spirit once well strung up to the concert-pitch of the primeval out-of-doors will hardly dare to finish a study and magniloquently ticket it a picture. The incommunicable thrill of things, that, is the tuning-fork by which we test the flatness of our art. Here it is that Nature teaches and condemns, and still spurs up to further effort and new failure. Thus it
