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THE ART OF WRITING

said I to my engine, 'let us make a tale, a story of many years and countries, of the sea and the land, savagery and civilisation; a story that shall have the same large features, and may be treated in the same summary elliptic method as the book you have been reading and admiring.' I was here brought up with a reflection exceedingly just in itself, but which, as the sequel shows, I failed to profit by. I saw that Marryat, not less than Homer, Milton, and Virgil, profited by the choice of a familiar and legendary subject; so that he prepared his readers on the very title-page; and this set me cudgelling my brains, if by any chance I could hit upon some similar belief to be the centre-piece of my own meditated fiction. In the course of this vain search there cropped up in my memory a singular case of a buried and resuscitated fakir, which I had been often told by an uncle of mine, then lately dead, Inspector-General John Balfour.