natural that we should nod. The third, he came out fairly from his intrenchments, praised my sketch, and with the impromptu cordiality of artists carried me into his apartment; where I sat presently in the midst of a museum of strange objects—paddles and battle-clubs and baskets, rough-hewn stone images, ornaments of threaded shell, cocoanut bowls, snowy cocoanut plumes—evidences and examples of another earth, another climate, another race, and another (if a ruder) culture. Nor did these objects lack a fitting commentary in the conversation of my new acquaintance. Doubtless you have read his book. You know already how he tramped and starved, and had so fine a profit of living, in his days among the islands; and meeting him, as I did, one artist with another, after months of offices and picnics, you can imagine with what charm he would speak, and with what pleasure I would hear. It was in such talks, which we were both eager to repeat, that I first heard the names—first fell under the spell—of the islands; and it was from one of the first of them that I returned (a happy man) with “Omoo” under one arm, and my friend's own adventures under the other.
The second incident was more dramatic, and had, besides, a bearing on my future. I was standing, one day, near a boat-landing under Telegraph Hill. A large barque, perhaps of eighteen hundred tons, was coming more than usually close about the point to reach her moorings; and I was observing her with languid inattention, when I observed two men to stride across the bulwarks, drop into a shore boat, and, violently dispossessing the boatman of his oars, pull toward the landing where I stood. In a surprisingly short time they came tearing up the steps; and I could see that both were too well dressed to be foremast hands—the first even with research, and both, and specially the first, appeared under the empire of some strong emotion.
