and bottles of odd shells in cotton, each designed no doubt for somebody at home—perhaps in Hull, of which Trent had been a native and his ship a citizen.
Thence we turned our attention to the table, which stood spread, as if for a meal, with stout ship's crockery and the remains of food—a pot of marmalade, dregs of coffee in the mugs, unrecognisable remains of foods, bread, some toast, and a tin of condensed milk. The table-cloth, originally of a red colour, was stained a dark brown at the captain's end, apparently with coffee; at the other end, it had been folded back, and a pen and ink-pot stood on the bare table. Stools were here and there about the table, irregularly placed, as though the meal had been finished and the men smoking and chatting; and one of the stools lay on the floor, broken.
“See! they were writing up the log,” said Nares, pointing to the ink-bottle. “Caught napping, as usual. I wonder if there ever was a captain yet, that lost a ship with his log-book up to date? He generally has about a month to fill up on a clean break, like Charles Dickens and his serial novels. What a regular, lime-juicer spread!” he added contemptuously. “Marmalade—and toast for the old man! Nasty, slovenly pigs!”
There was something in this criticism of the absent that jarred upon my feelings. I had no love indeed for Captain Trent or any of his vanished gang; but the desertion and decay of this once habitable cabin struck me hard: the death of man's handiwork is melancholy like the death of man himself; and I was impressed with an involuntary and irrational sense of tragedy in my surroundings.
“This sickens me,” I said. “Let's go on deck and breathe.”
The captain nodded. “It is kind of lonely, isn't it?” he said. “But I can't go up till I get the code signals. I want to run up 'Got Left' or something, just to brighten up this island home. Captain Trent
